So much of the writing and discussion about photography is concerned with this acronym. To the technician it stands for “depth of field” for the artist it is “depth of feeling”.

“A great photograph is a full expression of what one feels about what is being photographed in the deepest sense, and is, thereby, a true expression of what one feels about life in its entirety. “ ~Ansel Adams

Depth of field basically means that part of the picture that is in sharp focus. When a photograph is approached with this criterion in mind, the totality of image is ignored. The photograph is rendered mute either by the photographer when this is their primary concern or the viewer who can only see the obvious. It is akin to trying to look at an impressionist painting through the eyes of a super realist.

To make a great photograph, the photographer must be part of the photograph. They must have an opinion about, an attitude towards what they are trying to capture and they must allow this to shine through their work. If the photographer isn’t part of the action, the photograph will be sterile, it will be reportage not art. This is fine for the nightly news or to illustrate the stories with your ham and eggs. But when hung upon your wall will it engage when the event is forgotten?

When depth of feeling is an integral part of the image, it becomes a chatter box. With each viewing it opens up a little more. It ceases to be wall paper and becomes an important member of the family, the wise relative, the raconteur who knows the best values come through entertainment. Almost through osmosis it will impart its secrets to those with an open mind.

“Every time someone tells me how sharp my photos are, I assume that it isn't a very interesting photograph. If it were, they would have more to say.” ~Author Unknown

Henry Bateman is an artist/photographer. His work can be seen at http://www.pissedpoet.com and this article with pictures at http://www.pissedpoet.com/dof.html

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